Art of the Lot-et-Garonne, France 2019

WCBG Friends and Sarah Roche are happy to announce our second annual exciting art & travel adventure with Sarah for late Summer 2019: 

Art of the Lot-et-GaronneFrance 2019,
a seven day painting experience in South West France
7 days: Friday, August 30 – Friday, September 6, 2019
If you would like to register, please send in a completed registration form (also attached) with your down payment. We can accommodate 10 artists and we have a few spaces left, so if you are interested, act fast.

If you have any questions, please contact Eileen Sprague at  Thank you.

Eileen Sprague
Administrative Assistant
Friends of Wellesley College Botanic Gardens
(781) 283-3094

Call for Entry Boston Flower Show 2019

Call for Entries 2019 Newport Flower Show

New England Society of Botanical Artists    
Call for Entries

2019 Newport Flower Show, Rosecliff Mansion, Newport, RI
Friday, June 21 – Sunday, June 23, 2019

A NESBA members’ exhibit at the 2019 Newport Flower Show open to any NESBA member in good standing (dues paid).  This is not a juried show, per se, but there is a selection process due to space limitations and to ensure quality.

Exhibit Theme:  The 2019 Newport Flower Show theme is “Audubon Artistic Adventures”.  

NESBA Exhibit Requirements:  Artists may enter more than one work.  The artist must specify the category for which each work is entered.  No more than 6 works will be selected for each category, for a maximum of 24 works in the exhibit. Works may have been previously displayed but not at a Newport Flower Show.  Any 2-dimensional, original media, but no photography or computer generated work.  No entry or installation fee.

Submission Categories:   Each piece must be submitted in one of these 4 categories:
  • Tropical botanical subjects, may include habitat in the composition
  • Landscapes, field studies and preliminary sketches
  • Natural objects (animals, shells, insects, etc.) with at least one botanical element included
  • Plants which were included, or could have been included, in an JJ Audubon composition  (Please include brief explanation why the plant you chose meets this qualification.)

NESBA seeks 2 sets of preliminary studies to be displayed with the resulting finished piece on a panel separate from panels for the 4 categories.  The idea is to show the artistic journey from initial concept to finished piece.  Preliminary studies must be suitably framed but do not need to be matted.  If interested, please contact Joan Pierce. 

March 30 – digital images, with required accompanying  information must be submitted to:    
End of April – artists will be notified of selection of artwork.
First week of June – artwork must be received by the Preservation Society of Newport County.  Selected work may be sent directly to ATTEN: Beverly Ware, Preservation Society of Newport County,  424 Bellevue Ave. Newport, RI  02840.   NESBA may use “Drop off Persons”, and the collected work will be delivered to the Preservation Society.  Details of “Drop Off Persons” to follow.

Digital Image Submission Requirements: 
ü  may be taken with phone or camera or scanned;  poor quality images may result in work being rejected.
ü  must have artist’s name and Title of work in the file name;  ex.  JaneDoe_Tulipa.jpeg
ü  media, exterior frame dimensions H x W (estimated if not yet framed), name of subject (latin and common name preferred),  town/state of artist’s residence must be included in e-mail submission of work
ü  Artist Statement/Bio as a WORD.doc or PDF, not to exceed 1 page, submitted with digital image(s)
Exhibitor Guidelines and Liability Statement:   All work will be handled with care.  Neither NESBA nor the Preservation Society accept liability for loss or damage to artwork.  Artists are solely responsible for insuring their artwork.  Please include contact information in your Artist Statement/Bio if you wish a potential buyer to contact you.  There is no opportunity for selling work through the Newport Flower Show.

Framing Guidelines:   Exhibit panels are  36” wide.   Exterior frame measurement of the longest dimension (H or W, not total perimeter) may not exceed 30”.   Works with exterior frame dimensions (H or W) of 24”or less,  particularly W, are preferred because of space limitations.  White or off-white mats.  Simple wood frames with natural light, medium or dark finish.  Gold finish acceptable.  No painted frames.  No metal frames.  No sawtooth hangers.  Artwork in frames of insufficient quality will not be hung.  Plexiglass required.                                              Dated:  Nov. 14, 2018

Schedule of upcoming NESBA exhibits 2019

HI Members, So that you can plan your painting schedule and subjects, here is a list of the exhibits we have thus far for 2019:

Boston Flower Show: March 13-17 “The Beauty of Balance”
Subjects: for the Boston Flower Show, anything you like, maybe even something that you will submit for the Fruitlands or Newport shows.

Fruitlands Exhibit: May 13- TBD  “Shaker Plants”
You’ll find on our blog (shaker plants) list of plants (hundreds of them) that you may use as subjects. An email was also sent quite a while ago with this list, which you may have kept in your files.

Newport Flower Show: June 21-23  “Audubon Artistic Adventures”
   see suggested areas of paintings on the Call for Entries, soon to come to you. 

NESBA members showing their work in the Seasons of the Leaf

Elena Balmaseda-Scherer, Louise Barteau, Ellen Duarte, Rita Edmunds, Kathy Ann Finch, Kitty Gilbert, Lianne Gillespie, Arleen Hardiman, Nancy Horrall, Rose Marie James, Kay Kopper, Amanda Merritt, Sue Neff, Jitka Persinova, Diane Piktialis, Julie Stacy, Lucy Sur, Joyce Westner, Ruth Ann Wetherby, and Phyllis Willis will have their work on display.

Seasons of the Leaf Announcement

The South Shore Natural Science Center

hosts ART workshops for adults & kids

conducted by Ellen Duarte

for more information visit:
Kids ART Workshops with artist Ellen Duarte 

Saturday, October 20, 2018 

Ages 6-9 9-11am (accompanied by an adult) Examine the leaves we find and $5 per participant Registration required-discover their unique structure. Practice limited spaces available drawing them to learn more! 

Ages 10-13 1-3pm Observe the art on the walls and learn ways to paint the leaves we find outside! 

South Shore Natural Science Center 48 Jacobs Lane, Norwell, MA 781-659-2559 Contact for more information 

Watercolor workshop with artist Ellen Duarte

Sunday November 4, 2018 9am-3pm

$40 members/$50 non-members Registration required -— limited spaces available

Join us for a day of instruction and discovery as the group learns the techniques of botanical illustration. Be inspired by the artwork on the walls and in the woods.

South Shore Natural Science Center 48 Jacobs Lane, Norwell, MA 781-659-2559 Contact for more information

New England Society of Botanical Artists
members’ exhibit




Saturday, October 20, 2018, 4:00 pm — 6:00 pm

VINE HALL art Gallery


48 Jacobs Lane – norwell, MASS

HOURS: Monday—Saturday: 9am–5pm, Sunday: 11am-4pm

The South Shore Natural Science Center is a nonprofit organization dedicated to educating the public about the natural and cultural environments of the South Shore. 

Note: Vine Hall is shared space; please call ahead for specific availability for viewing. 

Contact for more information

NESBA visits Tower Hill Botanic Gardens

The Worcester County Horticultural Society is the third oldest active horticultural society in the United States.  In 1986, the Society set its focus on creating a botanic garden at Tower Hill Farm in Boylston, MA.  Today, Tower Hill Botanic Garden features a year-round display of the finest plants for cultivation in New England. Carefully planned gardens and collections of ornamental, edible and native plants, plus trails that enhance the natural features of this beautiful 171-acre property.

"I was happy to see that Tower Hill has a sensory garden for those with disabilities. It includes a wall garden for touch, smell and taste, a beautiful raised pool for sound and touch, all handicapped accessible. " Nancy Savage

"This was my first visit to Tower Hill and I IOVED it !!!" Elena Balmaseda Scherer 

Frank Bissette led the group and the tour was in the main entrance gardens and vegetable gardens .

"The many examples of familiar and unusual plants, such as black tomatoes and milkweed "Bucky Balls", were visually exciting and inspiring. " Jeanne Kunze 

"I was struck by how many flowering plants at Tower Hill were ones I had never seen before. The gardens definitely had a "wow" factor. " Diane Piktialis 

"I learned the most from the vegetable and systematic gardens and appreciate the Botanical colletcion of unique plants witihn the Tower Hill." Kathleen Kummer

NESBA members exhibit at Indian Hill Music

The Worcester Illustrators’ Guild at Indian Hill

The Worcester Illustrators’ Guild (TWIG) grew from the serendipitous meeting of a group of women who share a need for artistic expression and a love of nature.  Our particular focus in botanical art is intended to promote and encourage the appreciation of plants through careful observation. TWIG is our joint adventure to continue our enduring friendship and mutual support in the pursuit of art, nature, life and laughter.

Judith Baker, Elizabeth Golz-Rush, Nancy Horrall,
Susan Houde, Judith Ianelli, Kathleen Kummer,
             Jeanne Kunze, Joan Smith, Karen Tucker

Elizabeth Golz-Rush

Indian Hill Music
36 King Street (Routes 2A/110)
Littleton, MA 01460

September 4  through October
 M-F 9am-8pm; Sat. 8am-4pm*

artist reception:  September 21
Blackman Hall Art Gallery

Elizabeth Golz-Rush

*PLEASE NOTE: Contact Indian Hill before planning your visit as there could be an event in our gallery space: 978.486.9524 (press 0). The works are available for purchase; inquire at Indian Hill Music or contact the artist.

Karen Tucker

Kathleen Kummer

Four NESBA members accepted in the 21st Annual International

American Society of Botanical Artists at Wave Hill 
September 8 – December 2, 2018

Launching ASBA’s collaboration with Wave Hill, the selection jury of Ken Druse, Karen Kluglein, and Eileen Jeng Lynch met in April to choose artworks to be included in the 21st Annual International. Jurors selected 48 artworks from an extremely competitive field of about 190 entries. Artists included hail from the US, Australia, Canada, France, Japan, Russia, Slovenia, and the UK, and fourteen of these have never before been included in an ASBA exhibition.The participating
NESBA members are: Jeanne Reiner, Jamie Kim, Faye Van Wert, and Jeannetta vanRaalte.
Jeanne Reiner

This year’s exhibition features native and exotic flowers, fruits, roots, trees and vegetables, including some specimens found at Wave Hill. 

Unique points of view, bolstered by an attention to detail that is almost excruciating, emerge from the interpretations offered, with the power to astonish and provoke us. Ken Druse explains in his essay in the accompanying catalog:

Nature is exquisite in its own rights. But very often, it takes a special eye to remind or show us for the first time how glorious it is. Photography makes a record, like seeing the world through the screen of a phone—perish the thought. Botanical art makes us stop, just like gardening: we can’t text a friend and dig a hole at the same time or weed or nurture a precious seedling. Ken Druse

Fruit of Hibiscus
Jamie Kim

Fay Van Wert

Japanese White Pine Bonsai
Jeannetta vanRaalte

NESBA demo day at the Ames Mansion in Borderlands State Park

For the 5th straight year The Friends of Borderland State Park in Easton, MA have invited NESBA to put on its much enjoyed Demo Day. The Friends consider NESBA's Demo Day to be its most successful event for the general public.

It is NOT exaggeration to state that NESBA 's Demo Day is largely the reason The Friends established a separate Botanical Art category, with generous cash prize, as part of its annual Blanche Ames National Juried Art Exhibition. 

The venue is a beautiful cool covered porch with wisteria vines, attached to the south side of the mansion.

Visitors have a chance to try their hands at creating botanical art. 

 Hostesses from the Friends of Borderlands,  Sheila Paiva Jones,  Andrea Miller and Linda Taylor.  

NESBA Exhibits at the Newport Flower Show.

A NESBA members’ juried exhibit at the 2018 Newport Flower Show took place at Rosecliff Mansion in Newport RI on Friday June 22  thru Sunday June 24, 2018.

Members Maria Bablyak, Celeste Hurley and Rita Edmunds, and Irene as well as exhibit chair Joan Pierce helped to set up the exhibit in the beautiful "summer cottage" in Newport.

Plan Ahead for next summer's NESBA exhibit at Fruitlands Musum- Shaker Plants

List for seeds, Shaker herbs and medicinal herbs

Miller, Amy Bess, Shaker Medicinal Herbs; A Compendium of History Lore and Uses: Published in Association with Hancock Shaker Village.

Shaker Herbs and Seeds
Fruitlands Museum
Harvard, MA

Fruitlands Museum, Harvard, MA

Fruitlands Museum, founded in 1914 by Clara Endicott Sears, takes its name from an experimental utopian community led by Bronson Alcott and Charles Lane which took place on this site in 1843. Recently, Fruitlands became a Trustees of Reservations site.
The Fruitlands campus includes:

· The Fruitlands Farmhouse, the site of the experiment in communal living led by Alcott and Lane in 1843
· The Shaker Museum, the first Shaker museum in the country and home to the largest archive of Harvard Shaker documents in the world, housed in an historic building moved here from the Harvard Shaker community.
· The Native American Museum, which houses a significant collection of artifacts that honor the spiritual presence and cultural history of the first Americans including New England Native culture and a survey of culture in the Plains, Southwest and Northwest.
· The Art Museum, including a collection of over 100 Hudson River School landscape paintings and over 230 nineteenth century vernacular portraits, the second largest collection in the country along with a variety of rotating exhibits throughout the year.
· The Wayside Visitor Center, exhibiting information on Fruitlands’ landscape and environment and providing classroom space for education programs and classes.

About the Shakers:
After the Shakers arrived in the United States in 1774, they established numerous communities in the late-18th century through the entire 19th century. The first villages organized in Upstate New York and the New England states. Communities of Shakers were governed by area bishoprics and within the communities individuals were grouped into "family" units and worked together to manage daily activities. The Shakers peaked in population by the early 1850s. With the turmoil of the American Civil War and subsequent Industrial Revolution, Shakerism went into severe decline.

The Shakers’ heavenly desires guided their earthly economic pursuits. In their many industries, the Shakers emphasized cleanliness, order, hard work, ingenuity and quality. The outside world soon began to recognize the superiority of Shaker fruits, vegetables, herbal medicines, brooms, cheese, candies, hand-crafted boxes, woven cloth, straw bonnets, buttons, buckles, leather, barrels, bricks, lead pipes and furniture. Although they never intended to make large profits, Shaker goods and services became an economic boon for the communes.

Seed Production:
The Shakers were avid gardeners who saved the best seeds to cultivate the following year. Historian D. A. Buckingham states that Joseph Turner of Watervliet is the first known Shaker to package seeds for sale, making him the first American seed salesman. The Watervliet Shakers were the first people in the United States to sell garden seeds commercially. About this same time the Shaker community at New Lebanon began selling their surplus seeds. Shakers also did this at Canterbury, New Hampshire, and Hancock, Massachusetts as well as in other locations. The Shakers introduced the innovation of placing tiny seeds in small paper envelopes bearing printed planting instructions for best results as well as storage and sometimes cooking suggestions. The Shakers were the first to use paper envelope-style packets as a strategy to sell and distribute seeds.

Herb and Medicinal Plant Industry
Many patients started avoiding conventional doctors, fearful of the treatment they might receive, and turned to local “root and herb” doctors who had studied with Native American healers and learned to use native medicinal plants in their practices along with traditional European herbs. Several major books about native medicinal plants were published and some became best-sellers. This was very important to the Shakers and to the growth of their medicinal herb industry. The Shakers themselves weren’t responsible for prescribing or dispensing herbs. Their business was to produce what the doctor ordered, and by the mid-1800s doctors were ordering hundreds of different herbs.

The Shakers sold tins of dried culinary herbs such as sage, summer savory, sweet marjoram, and thyme and the seeds of caraway, cayenne pepper, clary sage, coriander, dill, fennel, hyssop, lavender, lemon balm, pot marigold, rosemary, rue, sweet basil and others. They were most famous, however, not for their culinary herbs nor for their herb seeds but for their extensive line of medical herb products.

In the early years of the nineteenth century all Shaker communities collected herbs for their own use. It wasn’t until 1820 that the herb business took off, continuing through the century. Shakers sold hundreds of kinds of dried herbs, herb extracts, herb oils and herbal patent medicines, earning an income that rivaled or exceeded that of their horticultural specialty, vegetable seeds.

Shaker Plants:

A Peek into History: Shaker Herbs - Mother Earth Living
-great plant list

"If you would have a lovely garden, you should live a lovely life." —Shaker saying

Glorianna Davenport, owner of Tidmarsh Farms speaks to NESBA members

Glorianna Davenport Co Founder of the MIT Media Lab and owner of Tidmarsh Farms gave a talk on restoration of the working cranberry farm into the largest freshwater ecological project in the northeast.

Tidmarsh is a 600-acre property near Plymouth, Massachusetts. After over a century as a large operational cranberry farm, Tidmarsh is now being restored to natural wetland. Researchers in the Media Lab's group Responsive Elements Lab are developing sensor networks that document ecological processes and allow people to experience the data at different spatial and temporal scales. Small, distributed, low-power sensor devices capture climate, soil, water, and other environmental data, while others stream audio from high in the trees and underwater. Visit any time from dawn till dusk and again after midnight; if you're lucky you might just catch an April storm, a flock of birds, or an army of frogs.

Members were enthusiastic about the program:

"In these times when the environment is under constant assault, it is heartening to hear about an amazing effort to help our planet, using sound science and impressive partnerships."
Kathy Cade

"Glorianna's informative talk on the restoration of an area of old cranberry bog to hopefully healthy waterways and it's environment is an ambitious project! It is fascinating on so many levels, and it will be interesting to see if some of the information from the project can be useful to other local bog owners as they face the future of cranberry growing in Massachusetts."
Lucy Sur

To me the most interesting part was the whole idea of restoring the area into a natural habitat, instead of developing the land into a mall or housing. We need to protect nature." 
Jitka Persinov

After the program members met at Tidmarsh Farm for a day of sketching and painting.

Artist Linda Karlsberg talks to NESBA members about her work

Members attending give their thoughts on her presentation:

"Linda Karlsberg's presentation on Saturday was terrific. Her method of investigating the effects of light on well-defined subjects, as she illustrated with her extensive series of beautiful water lily and lotus paintings, was clearly presented and inspiring. "
Pamela Harrington

"Linda's blossom and leaf images were set within the larger context of three dimensions of the water on which the leaves are floating."
Deborah Cassady

"The backgrounds (habitats) used in Linda's compositions contributed significantly to making her water lily blossoms shine and pop."
Celeste Hurley

"All of Linda's work was beauriful, but I was particularly impressed with and inspired by her use of the total canvas, to frame a river/pond scene with plant closeups. Something that has been done but infrequently in our more traditional botanical art. Think Esther Klahne's pond painting, and Kathy Miranda's work. "
Rita Edmunds

Two NESBA members show at the Arnold Arboretum, Boston, MA

Impressions of Woody Plants:
Disjunction, Two Artists, and the Arnold Arboretum

Copper Etchings by Bobbi Angell and Watercolor Paintings by Beverly Duncan
May 11 – July 22, 2018
Opening Reception, Saturday, May 19, 1:00-3:00pm

Workshop with the Artists, Saturday, June 9, 1:00-3:00pm
Location: Hunnewell Building

The word disjunction, defined as the relationship between two distinct alternatives, can be applied to botanical artists Bobbi Angell and Beverly Duncan: their media--copper and watercolor, their plant focuses--exotic and native, their backgrounds--botany and art. In the end though, as in this Arnold Arboretum exhibition, it is all about the wonder of woody plants, and the artists' approaches to creating images. Angell is attracted to unusual, cultivated specimens due to her long history working with botanists and horticulturalists. Her subjects, all Asian natives, several of which were introduced into cultivation by the Arboretum, represent the remarkable history of plant collecting around the world. All can be found in the collections of the Arboretum. Her drawings are developed into finely crafted copper etchings, which are then printed in limited editions. Duncan is drawn to the familiarity of native plants. She translates the common and recognizable into intimate portraits in detailed watercolor paintings.Her sketches capture the various stages in the life of a native plant. For this exhibition, Duncan focused on paintings of seedlings, the delicate early life of a tree or shrub. All her subjects can also be found as mature trees on the grounds of the Arnold Arboretum. Bobbi Angell has been drawing plants since 1978, illustrating floras, monographs, and new species for botanists at The New York Botanical Garden, Harvard University, and Smithsonian Institution. Drawing herbarium specimens has been the focus of her work. Angell's copper plate etchings reflect her interest in fine detail. They have allowed her a satisfying and natural extension of her compositional style. Beverly Duncan is an award-winning botanical artist, the first to receive Best in Show at the annual exhibition of the Horticultural Society in New York and the American Society of Botanical Artists. Her work is in corporate and private collections around the world. Duncan exhibited and received recognition at the 2014 royal Horticultural Exhibit in London. She teaches Botanical Drawing and Painting classes, and has illustrated commissions for numerous books and magazines.

Note - The Hunnewell lecture hall is used for programs, classes, and other events. Please call 617 384-5209 for accessibility.

Free, no registration required

The New England Society of Botanical Artists Exhibit at the Boston Flower and Garden Show

Savor Spring

200 Seaport Blvd
Boston, MA

March 14 -18

The annual participation in this show is a highlight event in the NESBA calendar.  The exhibit is open to all members and is always well received by the public.  

Setting up for the Boston Flower Show

March 14-18: Seaport World Trade Center, Boston, MA 

NESBA members visit the Arnold Arboretum

A fabulous time was had by all on our visit to see the historic botanical pieces from the Arboretum’s library. First greeted by director of the arboretum, William Friedman, and then guided through the collection by librarian Lisa Pierson, we were treated to see works by Hooker, Martuis, Humbolt, Jacquin, Knoop, Catesby, Rousseau and more. Lisa graciously invited any of our NESBA members to book appointments with her to peruse these artifacts.

Calendar of Upcoming NESBA Shows

Boston Flower Show   March 14-18

Subject: any
Intent to Exhibit open now-
Deadline for submission : February 7, 2018

Newport Flower Show June 22-24

Click Subject information:
Call for Entry to Follow
To enter Newport Flower Show, submit digital images to Joyce Westner;

Seasons of the Leaf: Oct 9-Nov 19

Subject: leaves representing a wide variety of genera in any or all seasons
Call for Entry opens in April
Deadline for submission  5/15
Sept 27 deadline for jpg/tif of your work to Kay Kopper